Patrick's Top 10 Films of 2010

For a year that started off slow and kept going slowly during the summer, 2010 really ratcheted up its game as soon as August rolled around. A boring year became an exciting one as picture after picture from the best directors working started pouring out. Just about all of my favorite directors put a picture out this year and they were all very, very good. It was a lackluster year for blockbusters but a terrific year for films that mean something more.  This list is my 10 favorites and honestly I could have probably done a top 20. There are some films it was painful to exclude here but this is how it shook down for me. As always, I would love to see comments, debate and your best of lists in the comments.

10. The Other Guys

As pure comedy goes, the Other Guys is the best of the year hands down. We were given another cop comedy in the form of Cop Out this year but as much as I like Kevin Smith, that wasn’t fit to smell the Other Guys shit. From director Adam McKay, the Other Guys continues the director’s pedigree of hilarious comedies. Anchorman, Talladega Nights and Step-Brothers are daunting company to keep but the Other Guys does so with confidence. With terrific and hilarious performances from Will Ferrel, Mark Wahlberg and Michael Keaton, the Other Guys is great and surprised a lot of people expecting something less than.

09. Shutter Island

Based on the terrific novel by Dennis Lehane, Shutter Island is a wonderful mindbending thriller directed by Martin Scorsese. Starring Leonardo DiCaprio and Mark Ruffalo, the film hits all the right notes in delivering intense psychological drama and growing paranoia. The visuals on display are both beautiful and creative and really sell the progression into psychological disturbance. Debuting early in the year and lost in the shuffle of exceptional films, Shutter Island isn’t getting talked about much and that is a goddamn crime. It was a great film with superior acting and direction and should absolutely not be missed.

08. The Kids are All Right

This film about a pair of adopted kids of a lesbian couple who reunite with their biological dad has some familiar turns and some cliches but succeeds on the strength of compelling writing and performances that seem so natural and off the cuff that you forget you are watching a scripted film. It is also very funny at times which defuses some of the awkwardness in the dramatic moments. Some people have been bothered by some of the events of the film but I think all of its moments are well earned and make sense in the context of the characters and the world they inhabit. At bottom, more than anything else, these characters feel like real people and that gives the film life and makes it very compelling.

07. Scott Pilgrim Vs the World

Scott Pilgrim Vs the World is one of the most successful adaptations of any source material ever. Not successful commercially because people are dicks but in terms of doing what it set out to do and achieving tremendous quality it might be the most successful film ever. While it holds some emotional sting for me now due to certain events in my life, the film is fun, kinetic and unabashedly cool. It really helps if you are into video games but even if not the film is fast paced and unique in its presentation such that it shouldn’t be missed as long as you don’t have a stick in your ass. The performances rock across the board and every aspect drips quality. Edgar Wright is a great director and has turned in great movie after great movie but Scott Pilgrim may be his crowning achievement to date such is the quality and fun. It has a painful place in my heart so much that watching it sometimes makes me cry but  I still watch it over and over again and that should tell you how great it is.

06. Inception

A geek favorite long before release, Inception is the latest film from master director Christopher Nolan. A trippy and convoluted journey through the nature of dreams and reality, Inception has inspired much post film discussion and earned some backlash from those hipsters who feel the constant need to be outside the mainstream so much that they have to hate on things a lot of people love, which really shows how great it is. It may not be as deep as some people make it out to be but healthy discussion of the ending is warranted and amps up the fun of the thing. When you add in Nolan’s arresting visuals and a great performances from everyone involved you have a great piece of film that gets back to what epic filmmaking is all about. Nolan is a master and proves once again that the Dark Knight wasn’t a fluke but rather just another one of Nolan’s great films. This makes sense given that, to date,  all of his films are great. Inception is no exception.

05. The Town

The second directing effort by Ben Affleck gives us exactly the sort of heist movie I have been waiting for: One in which the robbers are REALLY good at what they do and so are the FBI agents chasing them. The robbers don’t make rookie mistakes that burn them (which is amazing since Affleck’s character dates one of his bank robbery victims) they just have a legit badass on their tail. Affleck, Jeremy Renner, Rebbecca Hall and Jon Hamm all turn in excellent performances that make the material really pop and feel as urgent as necessary. Affleck shows a sure hand behind the camera and again gives us a gritty and compelling crime drama set in Boston. His acting career took a hit but if it led to him directing films like this then maybe the whole J-Lo debacle wasn’t such a bad thing for him after all. The movie is dark and sometimes sad but it is always compelling and well made.

04. The Fighter

A great example of a talented director and a talented cast elevating a standard and well worn story, the Fighter is one of the best sports movies ever. It stands up to great company with Rocky and Raging Bull as a truly great boxing movie that does its work smoothly and with expert precision. Based on a true story, the characters are fully fleshed out and fully realized in a surprisingly intimate way and spectacle never gets in the way of the very real human drama playing out on screen. Christian Bale is particularly noteworthy for a very strong performance as Dicky Eklund, a washed up boxer struggling to beat crack addiction and  its crippling effect on his family. And that is essentially the B story. The Fighter is like a clinic on how to make this sort of movie and in any other year would have come out on top.

03. True Grit

There is still a lot of debate over this remake of the 1969 John Wayne classic. There are a lot of people who think it was a travesty to remake the film and who cannot accept this new version over the original but for my money the Coen Brother’s version is head and shoulders better. Hewing much more closely to the original Charles Portis Novel, this new version presents the story in a much grittier and more realistic way and brings a lot more of the humor to the surface. The performances are spot on for the tone of the film and help to distance this from the classic John Wayne vehicle. Despite sharing the same source material, this version is much different and should absolutely not be dismissed as a shoddy knock off. The visuals in the film are breathtaking and the pacing is perfect. The underlying themes are much more important here as well and the movie is that much better for it. It also has plenty to offer for repeat viewings and is one I will watch many more times.

02. The Social Network

There are a lot of people who refused to see this movie because of their intense and abiding hatred of Facebook, which is interesting as the primary reason I know this is because they posted it on a Facebook status update. Those people, and anyone who made the jokes about it being ‘Facebook: the Movie’ are frankly idiots. The film, written by Aaron Sorkin and directed by the great David Fincher, provides a compelling and often hilarious account of the creation of Facebook and leaves all the warts and ugliness intact. This is not a puff promotional piece for Mark Zuckerberg but rather an unflinching look at rampant douchebaggery and betrayal. The performances across the board are great and some traipse into Oscar worthy territory. Everything about this movie works and works well from the score to the script to the directing to the acting and nothing falters. The pacing clips the film along without feeling rushed and this would surely be the best of the year if Black Swan didn’t exist.

01. Black Swan

Black Swan is a film about the obsession with perfection that achieves perfection itself. There is not a single missed note here and every scene and every performance is the best it could possibly be. This sounds bold but every moment is visually and emotionally arresting and the film has layer upon layer of worthwhile content for the viewer to digest. The themes are deep and intertwined and when you leave the theater you feel like you have really seen something amazing. The technical skill here from Darren Aronofsky is in a class all its own and the effects and camera work makes for a truly horrifying and disturbing experience. Natalie Portman turns in a performance that needs to win an Oscar and the rest of the cast shines even under her heavy shadow. The dance sequences are tight and well shot and serve to advance the story as much as to be beautiful. Hands down the best movie of the year and the best of many other years as well. There is a crowded class of great films this year but Black Swan is at the top. It was perfect.

11 Comments


    1. hahah, I think Machete was probably part of the 10 that Patrick had a hard time cutting.

      Patrick, the list here is an excellent one, I’d say probably an 80% overlap with my own feelings. The fact that you stuck The Other Guys on there is awesome. I couldn’t agree more as far as a comedy, it was excellent.

      Black Swan I would probably given #1 to as well for what I’ve seen this year. You really nailed it in that EVERY scene had a purpose and had some event in it that evoked an emotion from the viewer (even if you don’t care about ballet) – I think Aronofsky makes you pay attention because you are never sure which scenes are going to go south and get all weird and which ones are going to stay normal so you are pretty much on the edge of your seat the whole time.


  1. Gee Patrick, it really hurt your tender little feelings that other people have different tastes in movies than you do, didn’t it? Personally, I liked “Scott Pilgrim”, but it’s not like my existence depends on everyone else verifying my opinion, the way yours does. You might want to grow the hell up and realize that sometimes people dislike a movie for reasons that don’t involve you. From your poorly spelled, grammatically disastrous article, it’s obvious that you think people avoid certain movies merely to annoy you personally, but I can assure you that it’s just not so. I didn’t go see “The Social Network” for the same reason you DID go see it: It looked like a gigantic Fan Wank aimed at convincing thirteen-year-olds of how cool they are because they have a Facebook account. And you know what? I DON’T NEED ANOTHER REASON NOT TO SEE A MOVIE. It’s my friggin’ money, chumpstain. If I don’t feel like spending it just to convince myself that I’m Awesome for having a Facebook account, then that’s my business. But hey, feel free to keep praising every idiotic movie that Internet GroupThink tells you to praise.


    1. Mavent, you gotta start the new year off on a more positive note man. What’s with the super-aggressive response to a top-10 movie list?


  2. Mavent,
    GoOD Lord! Something apparently crawled up your ass and out of your nose this morning. The smell of your own shit is making you angry enough to log onto Buzz Media and attack another persons opinion. Do you realize that youre getting angry and taking it personal that he liked a movie you refused to even see? ALso where the hell are you getting your “friggin”.. ( really.. friggin??”) facts about Patrick’s personal opinion concerning why people do or do not see a movie, i read this a couple times and still have yet to figure out where half of the things you rant about are even coming from.
    Remember sometimes people LIKE a movie for reasons that dont concern you.
    Get laid, and find something else to rant about. Patrick isnt the dude in high school who gave you a wedgie in the locker room showers.. Chill the “frig” out.
    CB<3


  3. Scott Pilgrim vs the World was made for 14 year old weeaboo virgins and should be treated as such, thus making your list invalid. However the thing that bothered me far more than its inclusion was the fact that you personally seemed to like it so much and then still ranked it so low. If you really cared about writing originally and that is a movie that you watch over and over and cry to, then there is no doubt in my mind that has to be your number one for the year. How many movies in your life will you watch repeatedly and cry to? (dont answer that) but hopefully its not more than a handful. Your top 2 movies are overinflated “event” movies that were critically acclaimed months before release, and in the case of the social network, a movie of all flash and no substance. Write about what you feel, don’t follow the herd and bury your true feelings at the bottom. You ranked it #7. What was your 7th favorite movie in 2010? 2004? 1995? I mean in twenty years what you ranked 8th and 6th will be forgotten next to the movie that actually moved you and the fact you still picked other trendier movies over what was clearly your favorite make you a sellout. A weeaboo, virgin, crybaby sellout.

    BTW… here’s my top 10: 10 Tron Legacy 9 Alice in Wonderland 8 Black Swan 7 The Fighter 6 Cyrus 5 Social Network 4 Inception 3 Toy Story(3) 2 True Grit 1 Restrepo


  4. So you have a cartoon at number three on your list and you are going to suggest I’ve never had sex? What does my sexual history have to do with what movies I like in a given year? How is it that you said that the Social Network was all flash and no substance and then put it in your top five? What the fuck is a weeaboo?

    Crybaby sellout? Because I cried at movies or because I am annoyed Scott Pilgrim didn’t do better? Not that I have to justify my choices beyond what is already written but there was a time last year when Scott Pilgrim was my favorite movie of the year. Then I saw other films I liked better. Six of them to be exact. I have watched Social Network over and over again. I have gotten into fairly bitter arguments over Black Swan so I am not sure how that is trendy. Further I believe I said fairly clearly that, in the case of the Social Network, it was written by one of my favorite screenwriters and one of my favorite directors. Black Swan is the same way.

    I think it is kind of ballsy that you would presume to tell me what my true preferences are given you don’t know me at all but whatever. Aside from you being so clearly wrong about Scott Pilgrim, your taste doesn’t seem terribly dissimilar from mine albiet slightly different in order of preference. So I am not entirely sure what your beef is, especially since the so-called trendy movies you accuse me of selling out for are also on your top ten but whatever floats your boat man.

    BTW, thank you for posting your personal top 10. I hate when people have beef with mine but lack the guts to post their list. Well done.


  5. Wow. That was WAY harsh, Mavent. You should loosen up those nipple clamps a bit and switch to decaf.

    And why are you putting Scott Pilgrim in quotes? Are you suggesting it doesn’t really exist? You could have underlined or italicized because it’s a title, but quotes aren’t appropriate. I feel silly telling you that since you seem to have such a keen grasp of the grammar on Patrick’s post. Gosh, how many books have you published?

    I mean, Patrick’s only got three on the shelves and two in production, so you must have WAY more than that.

    What now, Clambasket?


  6. Black Swan was absolute trash. I have no idea how you ranked that higher than Inception or True Grit. It was a movie made for people that like to pretend they’re artistic.
    “Visually and emotionally arresting”? Natalie Portman dresses in white and looks sad, Mila Kunis dresses in black and is a slut. It doesn’t take a brilliant filmmaker to juxtapose colors every fucking scene.
    Jesus. I don’t know why everyone is so head over balls in love with a pretentious retelling of Swan Lake.

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